Friday, March 31, 2017

Music

Eastwood favors jazz (especially bebop), blues, classic rhythm and blues, classical, and country-and-western music; his favorite musicians include saxophonists Charlie Parker and Lester Young, pianists Thelonious Monk, Oscar Peterson, Dave Brubeck, and Fats Waller, and Delta bluesman Robert Johnson.[381] He is also a pianist and composer.[382] Jazz has played an important role in Eastwood's life from a young age and, although he never made it as a professional musician, he passed on the influence to his son Kyle Eastwood, a successful jazz bassist and composer. Eastwood developed as a boogie-woogie pianist early on and had originally intended to pursue a career in music by studying for a music theory degree after graduating from high school. In late 1959 he produced the album Cowboy Favorites, released on the Cameo label.[382]
Eastwood has his own Warner Bros. Records-distributed imprint Malpaso Records, as part of his deal with Warner Brothers, which has released all of the scores of Eastwood's films from The Bridges of Madison County onward. Eastwood co-wrote "Why Should I Care" with Linda Thompson and Carole Bayer Sager, which was recorded by Diana Krall.[383]
Eastwood composed the film scores of Mystic River, Million Dollar Baby, Flags of Our Fathers, Grace Is Gone, Changeling, Hereafter, J. Edgar, and the original piano compositions for In the Line of Fire. He wrote and performed the song heard over the credits of Gran Torino.[329]
The music in Grace Is Gone received two Golden Globe nominations by the Hollywood Foreign Press Association for the 65th Golden Globe Awards. Eastwood was nominated for Best Original Score, while the song "Grace is Gone" with music by Eastwood and lyrics by Carole Bayer Sager was nominated for Best Original Song.[384] It won the Satellite Award for Best Song at the 12th Satellite Awards. Changeling was nominated for Best Score at the 14th Critics' Choice Awards, Best Original Score at the 66th Golden Globe Awards, and Best Music at the 35th Saturn Awards. On September 22, 2007, Eastwood was awarded an honorary Doctor of Music degree from the Berklee College of Music at the Monterey Jazz Festival, on which he serves as an active board member. Upon receiving the award he gave a speech claiming, "It's one of the great honors I'll cherish in this lifetime."[385]

Politics

With Lou Gossett, Jr. and President Ronald Reagan in July 1987
Eastwood registered as a Republican to vote for Dwight D. Eisenhower in 1952 and endorsed Richard Nixon's 1968 and 1972 presidential campaigns. However, during the subsequent Watergate scandal, Eastwood criticized Nixon's morality and later his handling of the Vietnam War, calling it "immoral".[335][336]
Eastwood has disapproved of America's wars in Korea (1950–1953), Vietnam (1964–1975), Afghanistan (2001–present), and Iraq (2003–2011), believing that the United States should not be overly militaristic or play the role of global policeman.[337][338][339] He has referred to himself as "...too individualistic to be either right-wing or left-wing,"[340] describing himself in 1974 as "a political nothing" and "a moderate"[335] and in 1997 as a "libertarian."[341] "I don't see myself as conservative," Eastwood has stated, while noting in the same breath that he is not "ultra-leftist," either.[342] At times, he has supported Democrats in California, including Senator Dianne Feinstein in 1994,[343][344][345] liberal United States House of Representatives member Sam Farr in 2002,[346] and Governor Gray Davis, whom he voted for in 1998 and 2002 and hosted pricey fundraisers for in 2002 and 2003.[347]
A self-professed "liberal on civil rights,"[335] Eastwood has stated that he is pro-choice on abortion.[341] He has endorsed same-sex marriage[342][348][349] and contributed to groups supporting the Equal Rights Amendment for women, which failed to receive ratification in 1982.[350]
In 1992, Eastwood acknowledged to writer David Breskin that his political views represented a fusion of Milton Friedman and Noam Chomsky and suggested that they would make for a worthwhile presidential ticket.[351] In 1999, Eastwood stated, "I guess I was a social liberal and fiscal conservative before it became fashionable."[352] Ten years later, in 2009, Eastwood said that he was now a registered Libertarian.[353]
Despite being heavily associated with firearms in his Westerns and cop movies, Eastwood has publicly endorsed gun control since at least 1973. In the April 24, 1973, edition of The Washington Post, the star said, "I'm for gun legislation myself. I don't hunt."[354] Two years later, in 1975, Eastwood told People magazine that he favors "gun control to some degree."[355] About a year later, Eastwood remarked that "All guns should be registered. I don't think legitimate gun owners would mind that kind of legislation. Right now the furor against a gun law is by gun owners who are overreacting. They're worried that all guns are going to be recalled. It's impossible to take guns out of circulation, and that's why firearms should be registered and mail-order delivery of guns halted."[356] In 1993, he noted that he "...was always a backer" of the Brady Bill, with its federally mandated waiting period.[357] In 1995, Eastwood questioned the purpose of assault weapons. Larry King, the television host and newspaper columnist, wrote in the May 22, 1995, edition of USA Today that "my interview with Eastwood will air on 'Larry King Weekend' ... I asked him his thoughts on the NRA and gun control and he said that while people think of him as pro-gun, he has always been in favor of controls. 'Why would anyone need or want an assault weapon?' he said."[358]
Speaking for Take Pride in America in 2005
As a politician, Eastwood has made successful forays into both local and state government. In April 1986, he won election as mayor (a nonpartisan position) of his adopted hometown, Carmel-by-the-Sea, California – a small, wealthy village and artists' community on the Monterey Peninsula.[359] During his two-year term, Eastwood supported small business interests while advocating environmental protection and constructing a library annex, along with public restrooms, beach walkways, and a tourists' parking lot.[360][361] In 2001 Eastwood was appointed to the California State Park and Recreation Commission by Governor Davis,[362] then reappointed in 2004 by Governor Arnold Schwarzenegger.[362] As the vice chairman of the commission, in 2005 along with chairman Bobby Shriver, he led the movement opposed to a six-lane 16-mile (26 km) extension of California State Route 241, a toll road that would cut through San Onofre State Beach. Eastwood and Shriver supported a 2006 lawsuit to block the toll road and urged the California Coastal Commission to reject the project, which it did in February 2008.[363] In March 2008 Eastwood and Shriver's non-reappointment to the commission on the expiry of their terms[363] prompted the Natural Resources Defense Council (NRDC) to request a legislative investigation into the decision.[364] Governor Schwarzenegger appointed Eastwood to the California Film Commission in April 2004.[365] He was a spokesman for Take Pride in America, an agency of the United States Department of the Interior which advocates taking responsibility for natural, cultural, and historic resources.[366]
During the 2008 United States presidential election, Eastwood stated that he would be voting for John McCain,[367] citing the fact that he had known McCain since he returned to the US in 1973 as a recently released POW. Eastwood said of McCain: "I met him years ago when he first came back from Vietnam. This was back when (Ronald) Reagan was the governor of California and he had a big function for all of the prisoners of war who were released. I thought he was a terrific guy, a real American hero." Nevertheless, Eastwood wished Barack Obama well upon his subsequent victory saying, "Obama is my president now and I am going to be wishing him the very best because it is what is best for all of us."[368] Eastwood stated in 2010 of President Obama: "I think he's a nice fella and I enjoyed watching him come along and I enjoyed watching him campaign and win the job. But I'm not a fan of what he's doing at the moment. ... I just don't think he's governing. I don't think he's surrounded himself with the people he could have surrounded himself with."[369]
In August 2010, Eastwood wrote to the then British Chancellor of the Exchequer, George Osborne, to protest the decision to close the UK Film Council, warning the closure could result in fewer foreign production companies choosing to work in the UK.[370]
In January 2011, Eastwood told the UK's Daily Mail that "I loved the fact that Obama is multi-racial. I thought that was terrific, as my wife is the same racial make-up. But I felt he was a greenhorn, and it turned out he didn't have experience in decision-making." As for McCain, Eastwood reflected, "I voted for McCain, not because he was a Republican, but because he had been through war (in Vietnam) and I thought he might understand the war in Iraq better than somebody who hadn't. I didn't agree with him on a lot of stuff."[339] On August 3, 2012, he attended a fundraiser for Republican presidential candidate Mitt Romney, suggesting that Romney would boost the country and "restore a decent tax system ... so that there's a fairness and people are not pitted against one another as [to] who's paying taxes and who isn't."[371] During a speech at the 2012 Republican National Convention, Eastwood talked to an empty chair as if President Barack Obama were sitting in it.[372][373][374] The speech was met with a huge response by the media with both praise and criticism. Eastwood, who said he came up with the speech 5 seconds before he gave it, said that if he could do it again he would say something different. "My only message was [that] I wanted people to take the idolizing factor out of every contestant out there. Just look at the work, look at the background, and then make a judgment on that. I was just trying to say that, and did it in kind of a roundabout way which took a lot more time, I suppose, than they would have liked. I'd probably say something else but I'd try to get the same message across so that people don't have to kiss up to politicians. No matter what party they're in, you should evaluate their work and make your judgments accordingly. That's the way to do it in life and every other subject, but sometimes in America we get gaga, we look at the wrong values."[375]
Based on his appearance and comments at the 2012 Republican National Convention, some see him as a right-wing poster boy.[who?][citation needed] However, Eastwood said he has always opposed war and is a pragmatic Libertarian rather than a red-meat Republican. Eastwood further explained his anti-war stance by saying "I was a child growing up during World War II. That was supposed to be the one to end all wars. And four years later, I was standing at the draft board being drafted during the Korean conflict, and then after that there was Vietnam, and it goes on and on forever … I just wonder … does this ever stop? And no, it doesn't. So each time we get in these conflicts, it deserves a lot of thought before we go wading in or wading out. Going in or coming out. It needs a better thought process, I think." Furthermore, Eastwood's 2014 movie American Sniper was met with strong critical praise, especially from many Republicans who called it a pro-War on Terror, pro-Republican, and patriotic film; Eastwood responded by saying that such notions represented a "stupid analysis" and that the movie had nothing to do with political parties.[376] Eastwood responded to critics of American Sniper by saying his film was "the biggest anti-war statement any film can make" and that "the fact of what [war] does to the family and the people who have to go back into civilian life like Chris Kyle did" and "what it (war) does to the people left behind."[377]
In an interview with Esquire that appeared in early August 2016, Eastwood discussed Donald Trump and how this generation, as he put it, is a "pussy generation." "All these people that say, 'Oh, you can't do that, and you can't do this, and you can't say that.' I guess it's just the times." Eastwood also said that while he was not endorsing Donald Trump, he did see where he was coming from at times, even though the filmmaker stated that the candidate has said dumb things. "What Trump is onto is he's just saying what's on his mind. And sometimes it's not so good. And sometimes it's … I mean, I can understand where he's coming from, but I don't always agree with it. I haven't endorsed anybody. I haven't talked to Trump. I haven't talked to anybody. You know, he's a racist now because he's talked about this judge. And yeah, it's a dumb thing to say. I mean, to predicate your opinion on the fact that the guy was born to Mexican parents or something. He's said a lot of dumb things. So have all of them. Both sides. But everybody—the press and everybody's going, 'Oh, well, that's racist," and they're making a big hoodoo out of it. Just fucking get over it. It's a sad time in history.'" Eastwood also said, when asked if he was still a Libertarian, that he was a little bit of everything and that he wants this generation to get to work and be more understanding instead of calling people names. "Kick ass and take names," Eastwood said. When asked which candidate he would prefer between Trump and Hillary Clinton, Eastwood replied, "That's a tough one, isn't it? I'd have to go for Trump … you know, 'cause she's declared that she's gonna follow in Obama's footsteps. There's been just too much funny business on both sides of the aisle. She's made a lot of dough out of being a politician. I gave up dough to be a politician. I'm sure that Ronald Reagan gave up dough to be a politician.[378]
However, in a subsequent interview with the Los Angeles Times that appeared a month later, Eastwood suggested that he would not necessarily vote for Trump and instead appeared agnostic regarding the 2016 presidential election. The Times' Rebecca Keegan asked, "So when you say you’re not on either side of the aisle, does that mean you’re not voting for Trump?" Eastwood replied, "I’m totally an enigma. I’m just astounded. I hate to pick up the paper. I think both individuals and both parties backing the individuals have a certain degree of insanity."[379]
Eastwood had declared in that interview, "I’m not on either side of the aisle. I think most Americans are going, 'What the ... ? Is this all we can do?' ... When there were 17 people on the stage [in the early GOP debates], I thought, well, there are three or four people up there I could see voting for. They seem pretty good. I had a few …. And then I thought, what the hell happened?"[379]
And in a red carpet interview with Extra on September 8, 2016, when asked about supposedly supporting Trump, Eastwood replied, "You know, I haven't supported anybody, really," and suggested that Trump and Clinton constituted a modern-day Abbott & Costello, referring to the bumbling comedians of the 1940s and early 1950s.[380]

Personal life

Relationships

Eastwood married Margaret Neville "Maggie" Johnson (then working for an auto parts suppliers company[265]) on December 19, 1953 in Pasadena.[265] They had met six months earlier on a blind date in Los Angeles,[266] although Eastwood subsequently had a serious relationship in Seattle that summer with a young woman who became pregnant with his child[267]—an alleged daughter who was given up for adoption, per biographer Patrick McGilligan[268]—before Johnson announced her engagement to him in October.[265] The marriage would not prove altogether smooth, Eastwood telling biographer Richard Schickel in the only authorized book ever written about him that he was "too young, not well enough established."[269] A decade later, an ongoing affair Eastwood was involved in (said to have lasted 14 years[270]) with dancer and Rawhide stuntwoman Roxanne Tunis (who was also married yet separated) produced his earliest verified child, daughter Kimber Eastwood (born Kimber Tunis; June 17, 1964),[271][272] whose existence was kept secret from the public until July 1989, when the National Enquirer revealed her identity.[273] Biographer Marc Eliot wrote of Johnson, "It is difficult to say for sure that she actually knew about the baby, although it would have been nearly impossible for her not to. Everyone on the set knew ... and it is simply too difficult to keep a secret like that when the mother and the illegitimate child live in the same small town, especially when that small town is Hollywood."[274] The Enquirer claimed Johnson was aware of Kimber's existence at all times and at one point even met Roxanne Tunis when she made an unexpected visit to the set of Breezy. Actress Barbara Eden, a onetime Rawhide guest star and witness to the affair with Tunis, said of Eastwood's relationship with Johnson: "They conducted a somewhat open marriage."[275]
Restaurant critic Gael Greene admitted to an affair with Eastwood that began when she was assigned to interview him on the set of Two Mules for Sister Sara.[276] A fling with French model Cathy Reghin around the same time was one of his few extramarital involvements to receive press coverage of any kind during the fact. According to McGilligan, Eastwood had many other affairs, including with co-stars Inger Stevens[277] (Hang 'Em High), Jean Seberg[278] (Paint Your Wagon) and Jo Ann Harris[279] (The Beguiled), as well as actresses Jill Banner,[280] Catherine Deneuve,[67] and Susan St. James,[281] columnist Bridget Byrne,[282] competitive swimmer Anita Lhoest,[283] and singer Keely Smith[284] during his marriage to Johnson, who, after a trial separation and lingering bout of hepatitis in the mid-1960s, expressed her desire to reconcile and start a family.[282] They had two children together: Kyle Eastwood (born May 19, 1968) and Alison Eastwood (born May 22, 1972).[285] In 1972, Eastwood met married actress (later director) Sondra Locke. The two began living together while filming The Outlaw Josey Wales in the autumn of 1975,[286] by which time, according to Locke, "He had told me that there was no real relationship left between him and Maggie."[25] Locke wrote in her autobiography, "Clint seemed astonished at his need for me, even admitting that he'd never been faithful to one woman — because he'd "never been in love before," he confided. He even made up a song about it: "She made me monogamous." That flattered and delighted me. I would never doubt his faithfulness and his love for me."[25] Locke moved into the Sherman Oaks house Eastwood had once shared with Johnson (who by then lived full-time in Pebble Beach[287]), but felt uncomfortable there because "psychologically, it would always be Maggie's."[25] "Finally I told Clint that I couldn't live there any longer," writes Locke.[25] The couple moved to Bel-Air in a fixer-upper Locke spent three years renovating.[25][288] She underwent two abortions and a tubal ligation in the late 1970s[25] and was most reluctant about the second abortion, noting "I couldn't help but think that that baby, with both Clint's and my best qualities, would be extraordinary."[25] Johnson made no secret of her dislike for Locke, even though the two women never met. "Maggie placed severe rules on my relationship with the kids. Apparently, she never forgave me ... After she learned that Clint had taken me onto her property to show me a baby deer that had just been born there, she laid down a rule that I was never to be allowed there again. I was not even allowed to phone the Pebble Beach house."[25] In 1978 Johnson filed for legal separation from Eastwood,[287] but did not file for divorce until May 1984,[289][290] finalized that November[291] with Johnson receiving a reported cash settlement of $25 million.[292] Locke never divorced her legal husband, homosexual sculptor Gordon Anderson,[293][294] who resided with his male companion in a West Hollywood home purchased by Eastwood.[272]
Eastwood and Locke went on to star in The Gauntlet, Every Which Way But Loose, Bronco Billy, Any Which Way You Can and Sudden Impact. According to former longtime associate Fritz Manes, as quoted by author McGilligan, Eastwood was devoted to her between 1976 and 1980 at the least, but discreetly kept up several "maintenance relationships" (such as with Tunis[295]) during that period. McGilligan claims Eastwood returned to his "habitual womanizing" in the early 1980s, becoming involved with story analyst Megan Rose,[295] actress Jamie Rose[296] (who played a bit part in Tightrope), animal rights activist Jane Brolin (who had intermittent liaisons with Eastwood between the early 1960s and late 1980s[297]) and Jacelyn Reeves, a stewardess he met at the Hog's Breath Inn, among others. He was still living with Locke when he conceived two children with Reeves:[298] a son Scott Eastwood (born Scott Reeves; March 21, 1986)[299][300] and daughter Kathryn Eastwood (born Kathryn Reeves; February 2, 1988),[290] whose birth certificates both said "Father declined."[301] The affair with Reeves was not reported anywhere until an exposé article was published in the Star tabloid in 1990.[302][303] It quoted Reeves as saying "Some family members tell me to file a paternity suit against Clint, but I don't want to."[302] The children continued to be unacknowledged by mainstream news sources for more than a decade thereafter.[304] Eastwood's relationship with Locke (at the time unaware of his infidelities[25]) ended acrimoniously in April 1989, and the post-breakup litigation dragged on for years. Locke filed a palimony lawsuit against him after he changed the locks on their home and moved her possessions into storage when she was away filming her second directorial feature, Impulse. In court, Eastwood downplayed the intensity of their relationship. He described Locke as a "roommate" before quickly redescribing her as a "part-time roommate."[25][305] Locke's estranged brother told The Tennessean that Eastwood still truly loved her, but could no longer take her "addiction" to husband Gordon Anderson.[306] Anticipating that Eastwood was going to misrepresent the marriage, Locke asked Anderson to surrender all claims on any of her assets that as her legal spouse he was entitled to.[25] "In an extraordinary gesture of love and faith in me, Gordon signed away everything without hesitation."[25] During the trial, an investigative journalist contacted Locke and informed her of Eastwood's other family. "I spoke with the nurse in the delivery room, and she confirmed that they are Clint's children. I'll send copies of the birth certificates to you and a photo of Jacelyn, if you want them," Locke quotes the informant.[25] "My mind was still searching to get all his actions lined up. For at least the last four years of our relationship, Clint had been living this double life, going between me and this other woman, and having children with her. Two babies had been born during the last three years of our relationship, and they weren't mine."[25] Locke dropped the suit in 1990 in exchange for a directing deal at Warner Bros.,[307][308] but sued Eastwood again for fraud in 1994 when she became convinced the deal was a sham,[309][310] finally settling out of court in September 1996.[311] Since then, Locke has made discrediting comments about Eastwood.[312]
With his (now former) wife Dina in 2007
In 1990, actress Frances Fisher, whom Eastwood had met on the set of Pink Cadillac in late 1988,[313] moved in with him. Fisher said of dating Eastwood, "I simply felt that this was it, the big one. I had no idea that every woman he meets probably feels as I did."[314] They co-starred in Unforgiven, and had a daughter, Francesca Eastwood (born Francesca Fisher-Eastwood; August 7, 1993).[315] The birth of Francesca marked the first time Eastwood was present for one of his children being born.[285] Eastwood and Fisher ended their relationship in early 1995,[316] after which Fisher said it took two years to complete what she called the grieving process for her shattered dreams.[314] Before she had moved out of Eastwood's home, he was said to already be dating Dina Ruiz,[270] a television news anchor 35 years his junior whom he had first met when she interviewed him in 1993.[315] They married on March 31, 1996, when Eastwood surprised her with a private ceremony at a home on the Shadow Creek Golf Course in Las Vegas.[317] The marriage was noted for the fact that it was only Eastwood's second legal union in spite of his many long-term romances over the decades. Eastwood said of his bride, "I'm proud to make this lady my wife. She's the one I've been waiting for."[318] Ruiz commented, "The fact that I'm only the second woman he has married really touches me."[285] The couple has one daughter, Morgan Eastwood (born December 12, 1996).[319] Ruiz made cameos in two of Eastwood's films, Blood Work and True Crime (in which Fisher even appeared). In the summer of 2012, Dina, Morgan and Francesca starred with the band Overtone in the E! reality-television show Mrs. Eastwood & Company, on which Clint appeared infrequently.
In August 2013, Dina Eastwood announced that she and her husband had been living separately for an undisclosed length of time.[320] On October 23, 2013, Dina filed for divorce after she withdrew her request for legal separation, citing irreconcilable differences. She asked for full custody of their 16-year-old daughter, Morgan, as well as spousal support.[321] The divorce was finalized on December 22, 2014.[322] Eastwood has since been publicly linked with photographer Erica Tomlinson-Fisher (no relation to Frances),[323] 41 years his junior, and restaurant hostess Christina Sandera, 33 years his junior. He and Sandera went public with their relationship at the 87th Academy Awards in February 2015.[324]

Leisure

Despite smoking in some of his films, Eastwood is a lifelong non-smoker, has been conscious of his health and fitness since he was a teenager, and practices healthful eating and daily Transcendental Meditation.[325][326][327]
He opened an old English-inspired pub called the Hog's Breath Inn in Carmel-by-the-Sea, California in 1971.[328] Eastwood sold the pub and now owns the Mission Ranch Hotel and Restaurant in Carmel-by-the-Sea.[329][330]
He is an avid golfer and owns the Tehàma Golf Club. He is an investor in the world-renowned Pebble Beach Golf Links west of Carmel and donates his time to charitable causes at major tournaments.[329][331][332] Eastwood is a certified pilot and often flies his helicopter to the studios to avoid traffic.[333][334]

2010s

In 2010, Eastwood directed Hereafter, again working with Matt Damon, who portrayed a psychic. The film had its world premiere on September 12, 2010 at the 2010 Toronto International Film Festival and had a limited release later in October.[233][234] Hereafter received mixed reviews from critics, with the consensus at Rotten Tomatoes being, "Despite a thought-provoking premise and Clint Eastwood's typical flair as director, Hereafter fails to generate much compelling drama, straddling the line between poignant sentimentality and hokey tedium."[235] In the same year, Eastwood served as executive producer for a Turner Classic Movies (TCM) documentary about jazz pianist Dave Brubeck, Dave Brubeck: In His Own Sweet Way, to commemorate Brubeck's 90th birthday.[236]
In 2011, Eastwood directed J. Edgar, a biopic of FBI director J. Edgar Hoover, with Leonardo DiCaprio in the title role.[237] The film received mixed reviews, although DiCaprio's performance as Hoover was widely praised. The Rotten Tomatoes consensus was, "Leonardo DiCaprio gives a predictably powerhouse performance, but J. Edgar stumbles in all other departments".[238] Roger Ebert wrote that the film is "fascinating," "masterful," and praised DiCaprio's performance. David Edelstein of New York Magazine, while also praising DiCaprio, wrote, "It's too bad J. Edgar is so shapeless and turgid and ham-handed, so rich in bad lines and worse readings".[239] In January 2011, it was announced that Eastwood was in talks to direct Beyoncé Knowles in a third remake of the 1937 film A Star Is Born;[240] however, the project was delayed due to Beyoncé's pregnancy. Eastwood then starred in the baseball drama Trouble with the Curve (2012), as a veteran baseball scout who travels with his daughter for a final scouting trip. Robert Lorenz, who worked with Eastwood as an assistant director on several films, directed the film.[241]
Everybody wonders why I continue working at this stage. I keep working because there's always new stories. ... And as long as people want me to tell them, I'll be there doing them.
— Eastwood, reflecting on his later career[242]
During Super Bowl XLVI, Eastwood narrated a halftime advertisement for Chrysler titled "It's Halftime in America".[243] The advertisement was criticized by several U.S. Republicans, who claimed it implied that President Barack Obama deserved a second term.[244] In response to the criticism, Eastwood stated, "I am certainly not politically affiliated with Mr. Obama. It was meant to be a message about job growth and the spirit of America."[245]
Eastwood next directed Jersey Boys, a musical biography based on the Tony Award-winning musical Jersey Boys. The film told the story of the musical group The Four Seasons, and was released on June 20, 2014.[246]
Eastwood directed American Sniper, a film adaptation of Chris Kyle's eponymous memoir, following Steven Spielberg's departure from the project.[247] The film was released on December 25, 2014.[248] American Sniper has grossed more than $350 million domestically and over $547 million globally, making it one of Eastwood's biggest movies commercially.[249][250]

Directing

Beginning with the thriller Play Misty for Me, Eastwood has directed over 30 films, including Westerns, action films, and dramas. He is one of few top Hollywood actors to have also become a critically and commercially successful director. The New Yorker wrote that, unlike Eastwood,[251]
John Ford appeared in just a few silent films; Howard Hawks never acted in movies. Clark Gable, Gary Cooper, Spencer Tracy, James Stewart, Cary Grant, Humphrey Bogart, William Holden, Steve McQueen, and Sean Connery never directed a feature. John Wayne directed only twice, and badly; ditto Burt Lancaster. Paul Newman, Jack Nicholson, Warren Beatty, Robert Redford, Robert De Niro, and Sean Penn have directed a few movies each, with mixed commercial and artistic success.
From the very early days of his career Eastwood was frustrated by directors' insistence that scenes be re-shot multiple times and perfected, and when he began directing in 1970, he made a conscious attempt to avoid any aspects of directing he had been indifferent to as an actor. As a result, Eastwood is renowned for his efficient film directing and ability to reduce filming time and control budgets. He usually avoids actors' rehearsing and prefers to complete most scenes on the first take.[252][253] Eastwood's rapid filmmaking practices have been compared to those of Woody Allen, Ingmar Bergman, Jean-Luc Godard, and the Coen brothers. When acting in others' films he sometimes takes over directing, such as for The Outlaw Josey Wales, if he believes production is too slow.[251] In preparation for filming Eastwood rarely uses storyboards for developing the layout of a shooting schedule.[254][255][256] He also attempts to reduce script background details on characters to allow the audience to become more involved in the film,[257] considering their imagination a requirement for a film that connects with viewers.[257][258] Eastwood has indicated that he lays out a film's plot to provide the audience with necessary details, but not "so much that it insults their intelligence."[259]
According to Life magazine, "Eastwood's style is to shoot first and act afterward. He etches his characters virtually without words. He has developed the art of underplaying to the point that anyone around him who so much as flinches looks hammily histrionic."[260] Interviewers Richard Thompson and Tim Hunter note that Eastwood's films are "superbly paced: unhurried; cool; and [give] a strong sense of real time, regardless of the speed of the narrative"[261] while Ric Gentry considers Eastwood's pacing "unrushed and relaxed."[262] Eastwood is fond of low-key lighting and back-lighting to give his movies a "noir-ish" feel.[253][263]
Eastwood's frequent exploration of ethical values has drawn the attention of scholars, who have explored Eastwood's work from ethical and theological perspectives, including his portrayal of justice, mercy, suicide and the angel of death.[264]

1990s

Eastwood directed and starred in White Hunter Black Heart (1990), an adaptation of Peter Viertel's roman à clef, about John Huston and the making of the classic film The African Queen. Shot on location in Zimbabwe in the summer of 1989,[183] the film received some critical attention but with only a limited release earned just $8.4 million.[184] Later in 1990, Eastwood directed and co-starred with Charlie Sheen in The Rookie, a buddy cop action film. Critics found the film's plot and characterization unconvincing, but praised its action sequences.[185] An ongoing lawsuit, in response to Eastwood allegedly ramming a woman's car,[186] resulted in no Eastwood films being shown in cinemas in 1991.[187] Eastwood won the suit and agreed to pay the complainant's legal fees if she did not appeal.[187]
...if possible, he looks even taller, leaner and more mysteriously possessed than he did in Sergio Leone's seminal Fistful of Dollars a quarter of a century ago. The years haven't softened him. They have given him the presence of some fierce force of nature, which may be why the landscapes of the mythic, late 19th-century West become him, never more so than in his new Unforgiven. ... This is his richest, most satisfying performance since the underrated, politically lunatic Heartbreak Ridge. There's no one like him.
— Vincent Canby of The New York Times, on Eastwood's performance in Unforgiven[188]
In 1992, Eastwood revisited the western genre in his film Unforgiven, which he directed and in which he starred as an aging ex-gunfighter long past his prime. Scripts existed for the film as early as 1976 under titles such as The Cut-Whore Killings and The William Munny Killings but Eastwood delayed the project because he wanted to wait until he was old enough to play his character and to savor it as the last of his western films.[187] Unforgiven was a major commercial and critical success; Jack Methews of the Los Angeles Times described it as "the finest classical western to come along since perhaps John Ford's 1956 The Searchers.[189] The film was nominated for nine Academy Awards,[190] (including Best Actor for Eastwood and Best Original Screenplay for David Webb Peoples) and won four, including Best Picture and Best Director for Eastwood. In June 2008 Unforgiven was ranked as the fourth-best American western, behind Shane, High Noon, and The Searchers, in the American Film Institute's "AFI's 10 Top 10" list.[191][192]
Eastwood played Frank Horrigan in the Secret Service thriller In the Line of Fire (1993), directed by Wolfgang Petersen and co-starring John Malkovich and Rene Russo. Horrigan is a guilt-ridden Secret Service agent haunted by his failure to save John F. Kennedy's life.[193] The film was among the top 10 box office performers in that year, earning $102 million in the United States alone.[194] Later in 1993, he directed and co-starred alongside Kevin Costner in A Perfect World. Set in the 1960s,[195] Eastwood plays a Texas Ranger in pursuit of an escaped convict (Costner) who hits the road with a young boy (T.J. Lowther). Janet Maslin of The New York Times wrote that the film marked the highest point of Eastwood's directing career,[196] and the film has since been cited as one of his most underrated directorial achievements.[197][198]
At the May 1994 Cannes Film Festival Eastwood received France's Ordre des Arts et des Lettres medal,[199] and on March 27, 1995, he was awarded the Irving G. Thalberg Memorial Award at the 67th Academy Awards.[200] His next film appearance was in a cameo role as himself in the 1995 children's film Casper. Later that same year he expanded his repertoire by playing opposite Meryl Streep in The Bridges of Madison County. Based on the novel by Robert James Waller,[201] the film relates the story of Robert Kincaid (Eastwood), a photographer working for National Geographic, who has an affair with a middle-aged Italian farm wife, Francesca (Streep). Despite the novel receiving unfavorable reviews and a subject deemed potentially unsuitable for film, The Bridges of Madison County was a commercial and critical success.[202] Roger Ebert wrote, "Streep and Eastwood weave a spell, and it is based on that particular knowledge of love and self that comes with middle age."[203] The film was nominated for a Golden Globe for Best Picture and won a César Award in France for Best Foreign Film. Streep was also nominated for an Academy Award and a Golden Globe.
In 1997, Eastwood directed and starred in the political thriller Absolute Power, alongside Gene Hackman (with whom he had appeared in Unforgiven). Eastwood played the role of a veteran thief who witnesses the Secret Service cover up of a murder. The film received a mixed reception from critics.[204] Later in 1997, Eastwood directed Midnight in the Garden of Good and Evil, based on the novel by John Berendt and starring John Cusack, Kevin Spacey, and Jude Law. The film met with a mixed critical response.[205]
The roles that Eastwood has played, and the films that he has directed, cannot be disentangled from the nature of the American culture of the last quarter century, its fantasies and its realities.
— Author Edward Gallafent, commenting on Eastwood's impact on film from the 1970s to 1990s[206]
Eastwood directed and starred in True Crime (1999). He plays Steve Everett, a journalist and recovering alcoholic, who has to cover the execution of murderer Frank Beechum (played by Isaiah Washington). True Crime received a mixed reception, with Janet Maslin of The New York Times writing, "his direction is galvanized by a sense of second chances and tragic misunderstandings, and by contrasting a larger sense of justice with the peculiar minutiae of crime. Perhaps he goes a shade too far in the latter direction, though."[207] The film was a box office failure, earning less than half its $55 million budget and was Eastwood's worst-performing film of the 1990s aside from White Hunter Black Heart, which had a limited release.[208]

2000s

In 2000, Eastwood directed and starred in Space Cowboys alongside Tommy Lee Jones, Donald Sutherland and James Garner. Eastwood played one of a group of veteran ex-test pilots sent into space to repair an old Soviet satellite. The original music score was composed by Eastwood and Lennie Niehaus. Space Cowboys was critically well received and holds a 79 percent rating at Rotten Tomatoes,[209] although Roger Ebert wrote that the film was, "too secure within its traditional story structure to make much seem at risk."[210] The film grossed more than $90 million in its United States release, more than Eastwood's two previous films combined.[211] In 2002, Eastwood played an ex-FBI agent chasing a sadistic killer (Jeff Daniels) in the thriller Blood Work, loosely based on the 1998 novel of the same name by Michael Connelly. The film was a commercial failure, grossing just $26.2 million on an estimated budget of $50 million and received mixed reviews, with Rotten Tomatoes describing it as, "well-made but marred by lethargic pacing".[212] Eastwood did, however, win the Future Film Festival Digital Award at the Venice Film Festival for the film.[citation needed]
Clint is a true artist in every respect. Despite his years of being at the top of his game and the legendary movies he has made, he always made us feel comfortable and valued on the set, treating us as equals.
— Tim Robbins, on working with Eastwood.[15]
Eastwood directed and scored the crime drama Mystic River (2003), a film dealing with themes of murder, vigilantism and sexual abuse and starring Sean Penn, Kevin Bacon and Tim Robbins. The film was praised by critics and won two Academy Awards – Best Actor for Penn and Best Supporting Actor for Robbins – with Eastwood garnering nominations for Best Director and Best Picture.[213] The film grossed $90 million domestically on a budget of $30 million.[214] In 2003 Eastwood was named Best Director of the Year by the National Society of Film Critics.[215]
The following year Eastwood found further critical acclaim with Million Dollar Baby. The boxing drama won four Academy Awards for Best Picture, Best Director, Best Actress (Hilary Swank) and Best Supporting Actor (Morgan Freeman).[216] At age 74 Eastwood became the oldest of eighteen directors to have directed two or more Best Picture winners.[217][218] He also received a nomination for Best Actor, as well as a Grammy nomination for his score,[219] and won a Golden Globe for Best Director, which was presented to him by daughter Kathryn, who was Miss Golden Globe at the 2005 ceremony.[220] A. O. Scott of The New York Times lauded the film as a "masterpiece" and the best film of the year.[221]
In 2006, Eastwood directed two films about World War II's Battle of Iwo Jima. The first, Flags of Our Fathers, focused on the men who raised the American flag on top of Mount Suribachi and featured the film debut of Eastwood's son Scott. This was followed by Letters from Iwo Jima, which dealt with the tactics of the Japanese soldiers on the island and the letters they wrote home to family members. Letters from Iwo Jima was the first American film to depict a war issue completely from the view of an American enemy.[222] Both films received praise from critics and garnered several nominations at the 79th Academy Awards, including Best Director, Best Picture, and Best Original Screenplay for Letters from Iwo Jima. At the 64th Golden Globe Awards Eastwood received nominations for Best Director in both films. Letters from Iwo Jima won the award for Best Foreign Language Film.[citation needed]
An older man is at the center of the image smiling and looking off to the right of the image. He is wearing a white jacket, and a tan shirt and tie. The number 61 can be seen behind him on a background wall.
In 2008
Eastwood next directed Changeling (2008), based on a true story set in the late 1920s. Angelina Jolie stars as a woman reunited with her missing son only to realize he is an impostor.[223] After its release at several film festivals the film grossed over $110 million, the majority of which came from foreign markets.[224] The film was highly acclaimed, with Damon Wise of Empire describing Changeling as "flawless".[225] Todd McCarthy of Variety magazine described it as "emotionally powerful and stylistically sure-handed" and that the film's characters and social commentary were brought into the story with an "almost breathtaking deliberation".[226] For the film Eastwood received nominations for Best Original Score at the 66th Golden Globe Awards, Best Direction at the 62nd British Academy Film Awards and director of the year from the London Film Critics' Circle.[citation needed]
Eastwood ended a four-year "self-imposed acting hiatus"[227] by appearing in Gran Torino, which he also directed, produced and partly scored with his son Kyle and Jamie Cullum. Biographer Marc Eliot called Eastwood's role "an amalgam of the Man with No Name, Dirty Harry, and William Munny, here aged and cynical but willing and able to fight on whenever the need arose".[228] Gran Torino grossed almost $30 million during its opening weekend release in January 2009, the highest of his career as an actor or director.[229] Gran Torino eventually grossed over $268 million in theaters worldwide, becoming the highest-grossing film of Eastwood's career so far (without adjustment for inflation).[citation needed]
Eastwood's 30th directorial outing came with Invictus, a film based on the story of the South African team at the 1995 Rugby World Cup, with Morgan Freeman as Nelson Mandela, Matt Damon as rugby team captain François Pienaar and Grant L. Roberts as Ruben Kruger.[230] The film met with generally positive reviews; Roger Ebert gave it three and a half stars and described it as a "...very good film... with moments evoking great emotion,"[231] while Variety's Todd McCarthy wrote, "Inspirational on the face of it, Clint Eastwood's film has a predictable trajectory, but every scene brims with surprising details that accumulate into a rich fabric of history, cultural impressions and emotion."[232] For the film Eastwood was nominated for Best Director at the 67th Golden Globe Awards.[citation needed]